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Camera

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StudioME offers camera bodies, lenses, and gear for photography and videography. Scroll down to see additional gear:

DSLRs • Camcorders • Zoom Lenses • Prime Lenses • Monitors • Tripods • Sliders • Jibs • C-Stands

Interested in renting an item not listed?  Try www.pittsburghlenses.com

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  • GoPro Hero3+

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    The GoPro Hero 3+ is an aciton camera capable of shooting 1080p HD video. It also can shoot 11MP photos with 10 fps burst. Shockproof and waterproof to 197' (60m), and proven in heavy surf from Tahiti to Northern California and everywhere in between, GoPro cameras can handle it thanks their highly engineered polycarbonate exoskeletal housing. Ready for action—from scuba diving to dirt track racing, and tough enough to take a spin across the asphalt or launch into space, GoPros are built to take a beating and keep filming. Replacement lens kits and housings are available, so there’s little worry while going for glory—even while diving with sharks.

  • Panasonic Lumix GH4 4K MIRRORLESS

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    The Panasonic Lumix DMC-GH4 Mirrorless Micro Four Thirds Digital Camera is a true hybrid camera designed for both professional photo and video use. It features a 16.05-megapixel Digital Live MOS sensor and a 4-CPU Venus Engine, capable of capturing high-resolution JPEG and RAW stills, as well as UHD 4K 3840x2160 30p/24p and cinematic DCI 4K 4096x2160 video at 24p. Like its predecessor, the GH4 features a weather-sealed magnesium alloy body, while offering increased resolution on both the OLED monitor and electronic viewfinder. It also features built-in Wi-Fi with NFC technology, in-camera creative controls, and a high-speed 49-point autofocus in both photo and video mode.

  • CANON EOS 7D

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    With a host of features designed to enhance every facet of the photographic process, from still images to video, the EOS 7D represents an advanced class of camera. Made to be the tool of choice for serious photographers and semi-professionals, the EOS 7D features an 18.0 Megapixel APS-C size CMOS sensor and Dual DIGIC 4 Image Processors, capturing tremendous images at up to ISO 12800 and speeds of up to 8.0 fps. The EOS 7D has an all cross-type 19-point AF system with improved AI Servo AF subject tracking and user-selectable AF area selection modes for sharp focus no matter the situation. The EOS 7D's Intelligent Viewfinder provides 100% coverage and displays user-selected AF modes as well as a spot metering circle and on-demand grid lines. iFCL Metering with 63-zone dual-layer metering system uses both focus and color information to provide accurate exposure even in difficult lighting. The EOS 7D also captures Full HD video at 30p (29.97 fps), 24p (23.976 fps) and 25p with an array of manual controls, including manual exposure during video shooting and ISO speed selection. The EOS 7D features a magnesium alloy body that is dust and weather resistant and shutter durability of up to 150,000 cycles. Compatible with over 60 EF and EF-S lenses as well as with EOS System accessories, the creative opportunities — not just with stills but also with video — are beyond amazement.

  • Canon 7D Mark II

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    Designed with a penchant for speed, the 7D Mark II is characterized by its APS-C-sized 20.2MP CMOS sensor, dual DIGIC 6 image processors, and a top continuous shooting rate of 10 fps. Both a 65-point all cross-type phase-detection AF system and Dual Pixel CMOS AF technology benefit fast, accurate focusing performance for both optical viewfinder and live view shooting. Additionally, the combination of the dual image processors along with the CMOS sensor also contribute to enhanced low-light sensitivity to a native ISO 16000, which is further expandable to ISO 51200. The 7D Mark II comfortably performs in a range of challenging situations, and while ideally situated as a tool for sports and wildlife photographers, it resides equally as well in the hands of contemporary multimedia image-makers.

  • Canon EOS 5D IV

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    The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon's commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.

  • Canon XF200 HD Camcorder

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    The Canon XF200 HD Camcorder is a compact and ergonomically friendly camera suitable for traditional multicamera productions as well as ENG, event coverage, independent films, and documentaries. The camera features a 1/2.84" CMOS sensor that captures 1920 x 1080 video at various frame rates up to 59.94p, including a 24p mode for a more cinematic feel. The integrated Canon 20x HD optical zoom lens has a 35mm equivalent zoom range of 26.8 to 576mm and features an eight-bladed iris to render highlights in a more natural manner. Individual gear rings for focus, zoom, and iris on the lens provide you with a natural way to make manual adjustments.

  • Canon EOS C300 Mark II

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    The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.

    The EOS C500 features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.

  • Insta360 Pro

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    The Insta360 Pro is built with six 200° fisheye lenses and offers adjustable shutter speed, but you have complete control over how many lenses the camera shoots with. You can select from just three to all six and control which subjects take center stage in the image. The camera also records audio with four built-in mics and additionally supports an external mic.

    There's a big difference between 360 with image stabilization and 360 without it. Advanced, real-time image stabilization is another of the features of the Insta360 Pro. The Insta360 Pro also employs a precise optical flow stitching process that minimizes seam lines.

    The Insta360 Pro features a mostly aluminum frame and comes with a base stand that can be used as a stand or as a tripod mount (via a threaded mounting hole on the bottom).

  • Rokinon 35mm 1.5 Lens

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    Canon EF Mount Lens
    Aperture Range: T1.5 to T22
    One Aspherical and Two HR Elements
    UMC Coating
    Geared Focus and Aperture Control Rings
    De-Clicked Aperture Ring

  • Rokinon 14mm 3.1 Lens

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    This lens is compatible with full-frame sensors and can also be used on APS-C-sized sensors, where the 35mm-equivalent focal length will be 22.4mm. The optical construction incorporates three high refractive index elements, two extra-low dispersion elements, one hybrid aspherical elements, and one aspherical element to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images.

  • Canon 28-135mm 1:3.5-5.6

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    The Canon 28-135mm is a great lens that covers a wide variety of focal lengths. It is a standard zoom lens with an image stabilizer and high zoom ratio. With the image stabilizer turned on, you can obtain sharp, natural-looking pictures in dim lighting without using flash or a tripod. Very handy for places where flash is prohibited. Uses ring-type USM for swift, silent autofocus and full-time manual focus. Closest focusing distance is 20 in. (50cm).

  • Canon 18-135mm 1:3.5-5.6

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    A flexible zoom designed for both stills and video recording, the EF-S 18-135mm f/3.5-5.6 IS STM Lens from Canon is a 28.8-216mm equivalent wide-to-tele zoom designed for APS-C-format DSLRs. Benefitting multimedia image-makers, an STM stepping motor is used to deliver quick, quiet and smooth focusing performance that works in conjunction with select cameras' Movie Servo AF. An optical image stabilization system is also featured, to minimize the appearance of camera shake, and Dynamic IS specifically supports video applications by compensating for camera shake caused while walking during recording. Besides these performance attributes, the lens' optical design also incorporates one aspherical element and one UD element to reduce both spherical and chromatic aberrations for increased sharpness, clarity, and color accuracy.

  • Canon EF 24-105mm f/4L IS II USM Lens

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    An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and featuring a constant f/4 maximum aperture. The version II of this popular lens sports a redeveloped optical design, which includes four aspherical elements to significantly reduce distortion and spherical aberrations throughout the zoom range for great sharpness and accurate subject rendering. Individual elements feature an Air Sphere Coating, too, to suppress flare and ghosting for greater contrast and color accuracy in harsh lighting conditions.

  • Canon 50mm L F1.2

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    Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L USM is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated optical composition, which includes one aspherical element to suppress spherical aberrations in order to achieve notable sharpness and clarity. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.

  • Canon EF 70-200mm f/2.8 IS USM II Lens

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    This lens construction consists of one fluorite and five ultra-low dispersion optical elements which help deliver the sharpness and reduced aberrations. The IS II Optical Image Stabilizer provides up to 4 stops of correction at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action.
    This lens has a minimum focusing distance of 3.9' (1.2m) at all zoom settings so you can shoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resistant and designed to keep on going even in the most challenging of environments.

  • Canon EF 24-70 f/2.8L USM II

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    This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.

  • Canon EF 100-400mm F/4.5-5.6 IS USM II Lens

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    A long-reaching telephoto zoom characterized by a sophisticated optical design and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is part of the esteemed L-series developed for full-frame EOS DSLRs.

    Positioned as a versatile option for sports and wildlife photographers, this lens' list of attributes make it a viable telephoto zoom for a variety of shooting applications.

  • Lumix G Vario 100-300mm 1:4.0-5.6

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    A long-reaching telephoto zoom for Micro Four Thirds cameras, the Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. Lens from Panasonic spans an equivalent 200-600mm range, making it well-suited to wildlife, nature, and sports shooting. The optical design incorporates one extra-low dispersion element to reduce color fringing throughout the zoom range, as well as to provide improved clarity and color accuracy. Benefitting the optics, the lens also houses a quick, quiet, and precise linear autofocus motor as well as a POWER Optical Image Stabilizer, which supports the Dual I.S. function in select Lumix cameras. Additionally, the lens also sports a splash and dustproof construction for use in trying environmental conditions.

  • Lumix 12-35mm f2.8

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    A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.

  • Lumix 35-100mm f2.8

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    The Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. Lens from Panasonic is a telephoto zoom designed for Micro Four Thirds mirrorless cameras. Working in conjunction with the versatile portrait-length to telephoto focal length range is a constant f/2.8 maximum aperture that benefits working in a variety of lighting conditions as well as affords notable control over depth of field. A pair of extra-low dispersion elements and one Ultra extra-low dispersion element are featured within the optical design, to reduce fringing and chromatic aberrations, and a Nano Surface Coating has also been applied to suppress ghosting and flare for improved contrast and color fidelity. Complementing the advanced optical design, this lens also features a POWER Optical Image Stabilizer, which is compatible with Dual I.S., and a linear autofocus motor that offers quick, quiet, and near-silent focusing performance to suit video and stills applications. Additionally, this 35-100mm lens also sports a dust, splash, and freezeproof physical design to enable working in trying environmental conditions.

  • Olympus M Zuiko Digital ED 12mm f/2

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    A compact wide-angle prime with intuitive handling and an advanced optical design, the black M.Zuiko Digital ED 12mm f/2 from Olympus is a 24mm equivalent lens for Micro Four Thirds mirrorless cameras. The wide focal length pairs with the bright f/2 maximum aperture to benefit available light shooting as well as astrophotography applications. The lens's optical design makes use of one aspherical element, one DSA (Double Super Aspherical) element, and a Super HR (high refractive index) element to reduce spherical aberrations and control distortion for notable sharpness, and one extra-low dispersion element reduces color fringing for high clarity and color accuracy. Additionally, the lens is characterized by its Movie & Still Compatible autofocus system for quick and quiet performance, as well as a manual focus clutch and Snapshot Focus mode for intuitive control over focus position and depth of field.

  • Manfrotto Tripod - 501 HDV

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    The Manfrotto 501 Tripod tripod offers an extremely rigid, stable system for most mirrorless, DSLR, and small cine cameras. It features a fluid head with 1/4" and 3/8" mounting points and aluminum construction.

  • Basic Slider Package

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    This package includes one 36" slider with a small manfrotto head and two stands. Recommended for DSLR cameras only.

  • Rhino Slider V1 PRO Package

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    This package includes one 24″ stainless steel Rhino Slider V1 PRO, one 48″ stainless steel Rhino Slider V1 PRO, one Manfrotto 502 fluid tripod head, and two Manfrotto 501 Tripods.

  • Atomos Shogun 7"

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    Record direct from the camera sensor to your choice of Apple ProRes, DNxHD/DNxHR or RAW* in 10-bit 422 quality onto affordable media options. Based on the camera’s output the Shogun can accept and record up to 4K 30p and HD 120p over HDMI or 12/6/3/1.5G SDI.

    * RAW recording on select cameras available from AtomOS6.4 onwards

ADDITIONAL ITEMS

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